Motion pictures -- Philosophy
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The concept Motion pictures -- Philosophy represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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Motion pictures -- Philosophy
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The concept Motion pictures -- Philosophy represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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- A critique of film theory
- A grammar of cinepoiesis : poetic cameras of Italian cinema
- A viewer's guide to film theory and criticism
- Afterimages of Gilles Deleuze's film philosophy
- Afterlives : allegories of film and mortality in early Weimar Germany
- Alice doesn't : feminism, semiotics, cinema
- André Bazin's film theory : art, science, religion
- Arnheim for film and media studies
- Badiou and cinema
- Badiou and cinema
- Bakhtin and the movies : new ways of understanding Hollywood film
- Born in flames : termite dreams, dialectical fairy tales, and pop apocalypses
- Breaking the frame : film language and the experience of limits
- Cahiers du cinéma, Vol. 2, 1960-1968--new wave, new cinema, reevaluating Hollywood
- Cahiers du cinéma, the 1950s : neo-realism, Hollywood, new wave
- Carnal thoughts : embodiment and moving image culture
- Carnal thoughts : embodiment and moving image culture
- Cavell on film
- Change mummified : cinema, historicity, theory
- Chinese film theory : a guide to the new era
- Cine-dispositives : essays in epistemology across media
- Cine-ethics : ethical dimensions of film theory, practice and spectatorship
- Cinema
- Cinema
- Cinema after Deleuze
- Cinema against spectacle : technique and ideology revisited
- Cinema and Agamben : ethics, biopolitics and the moving image
- Cinema approaching reality : locating Chinese film theory
- Cinema approaching reality : locating chinese film theory
- Cinema beyond film : media epistemology in the modern era
- Cinema beyond territory : inflight entertainment and atmospheres of globalisation
- Cinema in focus : writings
- Cinema of choice : optional thinking and narrative movies
- Cinema, philosophy, Bergman : on film as philosophy
- Cinema, theory, and political responsibility in contemporary culture
- Cinema/politics/philosophy
- Cinematic Vitalism : Film Theory and the Question of Life
- Cinematic chronotopes : here, now, me
- Cinematic ethics : exploring ethical experience through film
- Cinematic interfaces : film theory after new media
- Cinematic political thought : narrating race, nation, and gender
- Cinematic thinking : philosophical approaches to the new cinema
- Cinematically speaking : the orality-literacy paradigm for visual narrative
- Cinephilia in the age of digital reproduction : film, pleasure and digital culture
- Classical Hollywood narrative : the paradigm wars
- Cohesion in film : tracking film elements
- Complete cinematic works : scripts, stills, documents
- Concepts in film theory
- Contemporary film theory
- Critical cinema : beyond the theory of practice
- Critical realism : history, photography, and the work of Siegfried Kracauer
- Critical theory and film : rethinking ideology in cinema
- Current controversies in philosophy of film
- Cutting rhythms : intuitive film editing
- Cutting rhythms : shaping the film edit
- Cutting rhythms : shaping the film edit
- De-westernizing film studies
- Death 24x a second : stillness and the moving image
- Deconstruction, feminism, film
- Defining cinema
- Deleuze and cinema : the film concepts
- Deleuze and film
- Deleuze and film : a feminist introduction
- Deleuze and horror film
- Deleuze and the Cinemas of Performance : Powers of Affection
- Deleuze and the cinemas of performance : powers of affection
- Deleuze and world cinemas
- Deleuze on cinema
- Deleuze, Japanese cinema, and the atom bomb : the spectre of impossibility
- Deleuze, altered states and film
- Deleuze, altered states and film
- Deleuze, cinema and national identity : narrative time in national contexts
- Deleuze, cinema and national identity : narrative time in national contexts
- Doing philosophy at the movies
- Doubling, distance and identification in the cinema
- Dreaming of Fred and Ginger : cinema and cultural memory
- Ecologies of the moving image : cinema, affect, nature
- Elegy for theory
- Elegy for theory
- Empty moments : cinema, modernity, and drift
- Endless night : cinema and psychoanalysis, parallel histories
- Engaging the moving image
- Engaging the moving image
- Essential Deren : collected writings on film
- Evolution of film styles
- Existentialist cinema
- Explorations in film theory : selected essays from Ciné-tracts
- Farocki/Godard : film as theory
- Feminism and film theory
- Figurations in Indian film
- Film and ethics : foreclosed encounters
- Film and phenomenology : towards a realist theory of cinematic representation
- Film and philosophy : taking movies seriously
- Film and video : alternative views
- Film as philosophy : essays in cinema after Wittgenstein and Cavell
- Film at the intersection of high and mass culture
- Film consciousness : from phenomenology to Deleuze
- Film criticism : a counter theory
- Film criticism in the digital age
- Film feminisms : theory and practice
- Film history as media archaeology : tracking digital cinema
- Film in contemporary China : critical debates, 1979-1989
- Film manifestos and global cinema cultures : a critical anthology
- Film manifestos and global cinema cultures : a critical anthology
- Film theory : rational reconstructions
- Film theory : the basics
- Film theory and contemporary Hollywood movies
- Film theory and philosophy
- Film worlds : a philosophical aesthetics of cinema
- Film, theory and philosophy : the key thinkers
- Filming and judgment : between Heidegger and Adorno
- Filmosophy
- Finding ourselves at the movies : philosophy for a new generation
- Finding ourselves at the movies : philosophy for a new generation
- Forma e parola nel cinema : Il film muto, Pasolini, Antonioni.
- Forms of being : cinema, aesthetics, subjectivity
- Foucault at the movies
- Framing pictures : film and the visual arts
- From Plato to Lumière : narration and monstration in literature and cinema
- Genre
- Getting reel : a social science perspective on film
- Gilles Deleuze : cinema and philosophy
- Gilles Deleuze's time machine
- Hollywood intellect
- Hollywood puzzle films
- Home, exile, homeland : film, media, and the politics of place
- How a film theory got lost and other mysteries in cultural studies
- Ideas in action : film theory in film criticism
- Image and mind : film, philosophy and cognitive science
- Iranian cinema and philosophy : shooting truth
- Jean Epstein
- Kino and the woman question : feminism and Soviet silent film
- Kristeva in focus : from theory to film analysis
- L'image-mouvement
- L'image-temps
- La memoria de las imágenes : textos de la emoción, la lógica y la verdad
- Langage et cinéma
- Le langage cinématographique
- Le récit au cinéma
- Levinas and the cinema of redemption : time, ethics, and the feminine
- Living cinema : new directions in contemporary film-making
- Meta-narrative in the movies : tell me a story
- Metaphor and film
- Mimesis, movies, and media
- Minerva's night out : philosophy, pop culture, and moving pictures
- Movie analytics : a Hollywood introduction to big data
- Movies and the meaning of life : philosophers take on Hollywood
- Multimodal film analysis : how films mean
- Narration in light : studies in cinematic point of view
- Narrative, apparatus, ideology : a film theory reader
- New Argentine and Brazilian cinema : reality effects
- New philosophies of film : thinking images
- New punk cinema
- New takes in film-philosophy
- On film
- Opening Bazin : postwar film theory and its afterlife
- Opening Bazin : postwar film theory and its afterlife
- Out of time : desire in atemporal cinema
- Performance projections : film and the body in action
- Performing authorship : self-inscription and corporeality in the cinema
- Perverse spectators : the practices of film reception
- Phenomenology and the future of film : rethinking subjectivity beyond French cinema
- Phenomenology's material presence : video, vision and experience
- Philosophers explore The Matrix
- Philosophical problems of classical film theory
- Philosophy and film
- Philosophy of the film : epistemology, ontology, aesthetics
- Philosophy through film
- Philosophy, myth, and epic cinema : beyond mere illusions
- Pictorial signs and the language of film
- Poetics of cinema
- Poetik des Films : dt. Erstausg. d. filmtheoret. Texte d. russ. Formalisten mit e. Nachw. u. Anm.
- Point of view in the cinema : a theory of narration and subjectivity in classical film
- Post-war modernist cinema and philosophy : confronting negativity and time
- Postmodern after-images : a reader in film, television, and video
- Postmodern journeys : film and culture, 1996-1998
- Poėtika kino
- Profane mythology : the savage mind of the cinema
- Projecting a camera : language-games in film theory
- Projecting illusion : film spectatorship and the impression of reality
- Questions of cinema
- Rancière and film
- Reading Cavell's The world viewed : a philosophical perspective on film
- Reading Cavell's The world viewed : a philosophical perspective on film
- Reading the movies : twelve great films on video and how to teach them
- Realism and the cinema : a reader
- Refractions of reality : philosophy and the moving image
- Rethinking Brechtian film theory and cinema
- Roland Barthes' cinema
- Screen consciousness : cinema, mind and world
- Screening history
- Screening history
- Seeing fictions in film : the epistemology of movies
- Seeing the light
- Skepticism films : knowing and doubting the world in contemporary cinema
- Slow movies : countering the cinema of action
- Sources of meaning in motion pictures and television
- Subjective realist cinema : from expressionism to Inception
- Subjectivity : filmic representation and the spectator's experience
- Talking about films
- Telling time : essays of a visionary filmmaker
- Temporality and film analysis
- The Chinese cinema book
- The End of Cinema? : a Medium in Crisis in the Digital Age
- The Hollywood eye : what makes movies work
- The Pervert's guide to cinema
- The Routledge companion to philosophy and film
- The address of the eye : a phenomenology of film experience
- The altering eye : contemporary international cinema
- The altering eye : contemporary international cinema
- The avant-garde finds Andy Hardy
- The blue box : Kristevan/Lacanian readings of contemporary cinema
- The brain is the screen : Deleuze and the philosophy of cinema
- The brain is the screen : Deleuze and the philosophy of cinema
- The cinema effect
- The cinematic mode of production : attention economy and the society of the spectacle
- The dark of the screen
- The death of cinema : history, cultural memory, and the digital dark age
- The digital film event
- The end of cinema? : a medium in crisis in the digital age
- The future of an illusion : film, feminism, and psychoanalysis
- The future of an illusion : film, feminism, and psychoanalysis
- The habits of distraction
- The heretical archive : digital memory at the end of film
- The intervals of cinema
- The language and style of film criticism
- The material ghost : films and their medium
- The matrix and philosophy : welcome to the desert of the real
- The matrix of visual culture : working with Deleuze in film theory
- The neuro-image : a Deleuzian film-philosophy of digital screen culture
- The philosophy of motion pictures
- The real gaze : film theory after Lacan
- The reality of Film : Theories of Filmic Reality
- The reality of film : theories of filmic reality
- The rhetoric of filmic narration
- The rise of the image, the fall of the word
- The search for meaning in film and television : disenchantment at the turn of the millennium
- The shadow of an airplane climbs the Empire State Building ; : a world theory of film
- The soul of film theory
- The symbolic, the sublime, and Slavoj Žižek's theory of film
- The terministic screen : rhetorical perspectives on film
- The utopia of film : cinema and its futures in Godard, Kluge, and Tahimik
- The webcam as an emerging cinematic medium
- The woman at the keyhole : feminism and women's cinema
- The world viewed : reflections on the ontology of film
- Themes out of school : effects and causes
- Theodor Adorno and film theory : the fingerprint of the spirit
- Theorie des Kinos / hrsg. von Karsten Witte
- Theories of cinema : 1945-1995
- Theorizing the moving image
- Theory of film practice
- Theory of film practice
- Theory of the image : capitalism, contemporary film, and women
- Thinking in the dark : cinema, theory, practice
- This is called moving : a critical poetics of film
- Towards a synthetic analysis of film style
- Turbulence and flow in film : the rhythmic design
- Two or three things I'm dying to tell you
- Wag the dog : a study on film and reality in the digital age
- What cinema is! : Bazin's quest and its charge
- What is cinéma vérité?
- When the moon waxes red : representation, gender and cultural politics
- Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking
- Window shopping : cinema and the postmodern
- World cinema and cultural memory
- Éléments pour un nouveau cinéma
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