Popular cinema of the Third Reich, Sabine Hake

Resource Information

The instance Popular cinema of the Third Reich, Sabine Hake represents a material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Instance, Electronic.

Image

http://images.btol.com/ContentCafe/Jacket.aspx?UserID=ebsco-test&Password=ebsco-test&Return=T&Value=9780292734586&Type=L

Label

Popular cinema of the Third Reich, Sabine Hake

Statement of responsibility

Sabine Hake

Instantiates

• Popular cinema of the Third Reich

Publication

• Austin, TX, University of Texas Press, 2001

Antecedent source

unknown

Bibliography note

Includes bibliographical references (pages 263-265) and index

Carrier category

online resource

Carrier category code

• cr

Carrier MARC source

rdacarrier

Color

multicolored

Content category

text

Content type code

• txt

Content type MARC source

rdacontent

Contents

• PREFACE -- 1. POPULAR CINEMA, NATIONAL CINEMA, NAZI CINEMA: A DEFINITION OF TERMS -- 2. MADE IN 1933: GERMAN-JEWISH FILMMAKERS AND THE FORCED COORDINATION OF THE INDUSTRY -- 3. CINEMA, SET DESIGN, AND THE DOMESTICATION OF MODERNISM -- 4. AT THE MOVIES: FILM AUDIENCES AND THE PROBLEM OF SPECTATORSHIP -- 5. STARS: HEINZ RÜHMANN AND THE PERFORMANCE OF THE ORDINARY -- 6. DETLEF SIERCK AND Schlußakkord (FINAL CHORD, 1936): A CASE STUDY OF FILM AUTHORSHIP -- 7. THE FOREIGN AND THE FAMILIAR: ON GERMAN-AMERICAN FILM RELATIONS, 1933-1940
• 8. THE ANNEXATION OF AN IMAGINARY CITY: THE TOPOS "VIENNA" AND THE WIEN-FILM AG -- 9. THE POWER OF THOUGHT: REDEFINING POPULAR CINEMA BETWEEN REALISM AND ILLUSIONISM -- 10. A QUESTION OF REPRESENTATION: WORKING WOMEN AND WARTIME CINEMA -- 11. THE LEGACIES OF THE PAST IN THE CINEMA OF POSTWAR RECONSTRUCTION -- NOTES -- 1. POPULAR CINEMA, NATIONAL CINEMA, NAZI CINEMA: A DEFINITION OF TERMS -- 2. MADE IN 1933: GERMAN-JEWISH FILMMAKERS AND THE FORCED COORDINATION OF THE INDUSTRY -- 3. CINEMA, SET DESIGN, AND THE DOMESTICATION OF MODERNISM
• 4. AT THE MOVIES: FILM AUDIENCES AND THE PROBLEM OF SPECTATORSHIP -- 5. STARS: HEINZ RÜHMANN AND THE PERFORMANCE OF THE ORDINARY -- 6. DETLEF SIERCK AND SCHLUßAKKORD (FINAL CHORD, 1936): A CASE STUDY OF FILM AUTHORSHIP -- 7. THE FOREIGN AND THE FAMILIAR: ON GERMANAMERICAN FILM RELATIONS, 1933-1940 -- 8. THE ANNEXATION OF AN IMAGINARY CITY: THE TOPOS "VIENNA" AND THE WIEN-FILM AG -- 9. THE POWER OF THOUGHT: REDEFINING POPULAR CINEMA BETWEEN REALISM AND ILLUSIONISM -- 10. A QUESTION OF REPRESENTATION: WORKING WOMEN AND WARTIME CINEMA
• 11. THE LEGACIES OF THE PAST IN THE CINEMA OF POSTWAR RECONSTRUCTION -- SELECT BIBLIOGRAPHY -- INDEX OF GERMAN TITLES AND NAMES

Control code

55890171

Dimensions

unknown

Edition

1st ed.

Extent

1 online resource (xiv, 272 pages)

File format

unknown

Form of item

online

Isbn

9780292734586

Level of compression

unknown

Media category

computer

Media MARC source

rdamedia

Media type code

• c

Other physical details

illustrations

http://library.link/vocab/ext/overdrive/overdriveId

• 22573/ctt8vqkg
• f393b127-717d-4aa3-9b5d-14a0cce01f37

Quality assurance targets

not applicable

Record ID

.b123391416

Reformatting quality

unknown

Reproduction note

Electronic reproduction.

Sound

unknown sound

Specific material designation

remote

System control number

(OCoLC)55890171

System details

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.