Staging contemplation : participatory theology in Middle English prose, verse, and drama

Resource Information

The work Staging contemplation : participatory theology in Middle English prose, verse, and drama represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

Staging contemplation : participatory theology in Middle English prose, verse, and drama

Title remainder

participatory theology in Middle English prose, verse, and drama

Statement of responsibility

Eleanor Johnson

Creator

• Johnson, Eleanor, 1979-

Author

• Johnson, Eleanor, 1979-

Subject

• Criticism, interpretation, etc
• English literature -- Middle English
• English literature -- Middle English
• English literature -- Middle English, 1100-1500 -- History and criticism
• 1100-1500
• Theology in literature
• Theology in literature
• Theology in literature
• Criticism, interpretation, etc

Genre

• Criticism, interpretation, etc

Language

eng

Summary

What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics. Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres-devotional prose, allegorical poetry, cycle dramas, and morality plays-Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency-from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter-to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike

Cataloging source

ICU/DLC

Dewey number

820.9/001

Index

index present

LC call number

PR275.R4

LC item number

J645 2018

Literary form

non fiction

Nature of contents

bibliography