Music of the Raj : a social and economic history of music in late eighteenth-century Anglo-Indian society

Resource Information

The work Music of the Raj : a social and economic history of music in late eighteenth-century Anglo-Indian society represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

Music of the Raj : a social and economic history of music in late eighteenth-century Anglo-Indian society

Title remainder

a social and economic history of music in late eighteenth-century Anglo-Indian society

Statement of responsibility

Ian Woodfield

Creator

• Woodfield, Ian

Subject

• British -- India -- Music -- 18th century -- History and criticism
• Music -- Great Britain -- 18th century -- History and criticism
• Music -- India -- 18th century -- History and criticism
• Music -- Social aspects -- Great Britain -- History -- 18th century
• Music -- Social aspects -- India -- History -- 18th century

Language

eng

Summary

"Music of the Raj is a study of musical life in late eighteenth-century Anglo-Indian society, based on the unpublished correspondence of an extended network of families. The writers of these letters - amateurs with a passionate commitment to the art of music - provide a perceptive commentary on many of the major issues of the day: the stylistic change from Baroque to Galant, the replacement of the harpsichord with the pianoforte, the establishment of the musical canon, and the growing economic and cultural influence of women musicians." "Among the topics discussed are the transport, tuning and maintenance of instruments, the relationship between amateur pupil and professional teacher, the conduct of the domestic musical soiree, the role of glee singing in courtship, and the musical education of children. An account is also given of the growth of an expatriate musical culture among the European inhabitants of early colonial Calcutta, and the musical tastes of major Anglo-Indian figures such as Robert Clive, Warren Hastings, and Sir William Jones are assessed. English attitudes to Indian music is an important theme, especially as manifested in the fashion for 'Hindostannie' airs, transcriptions of Indian melodies in European musical language." "The study concludes with an examination of the musical lives of wealthy 'nabobs' back in England, where they immersed themselves in Italian musical culture, taking the Grand Tour, supporting opera at the King's Theatre, and employing fashionable Italian teachers for their children."--BOOK JACKET

Cataloging source

DLC

Dewey number

780/.954/09033

Illustrations

• illustrations
• maps
• music

Index

index present

LC call number

ML338.3

LC item number

.W66 2000

Literary form

non fiction

Nature of contents

• bibliography
• filmographies