Reader-response criticism
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The concept Reader-response criticism represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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Reader-response criticism
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The concept Reader-response criticism represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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- Reader-response criticism
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- "My reader my fellow-labourer" : a study of English romantic prose
- "Reading with" : an exploration of the interface between critical and ordinary readings of the Bible : African overtures
- "Voi altri pochi" : Ezra Pound and his audience, 1908-1925
- A celebration of literature and response : children, books, and teachers in K-8 classrooms
- A discourse of wonders : audience and performance in Ovid's Metamorphoses
- After the death of poetry : poet and audience in contemporary America
- Allusions in the press : an applied linguistic study
- Ambrosia in an earthen vessel : three centuries of audience and reader response to the works of Thomas Middleton
- Aphra Behn stages the social scene in the Restoration theatre
- Articulations of relevance in local television news
- Author and audience in Latin literature
- Author, text, and reader in the novels of Carlos Fuentes
- Authorizing readers : resistance and respect in the teaching of literature
- Authorship and audience : literary performance in the American Renaissance
- Authorship, ethics, and the reader : Blake, Dickens, Joyce
- Autobiographical biblical criticism : between text and self
- Becoming a reader : the experience of fiction from childhood to adulthood
- Book talk and beyond : children and teachers respond to literature
- Cather, canon, and the politics of reading
- Charlotte Brontë and the storyteller's audience
- Chaucer and his readers : imagining the author in late medieval England
- Chaucer's poetics and the modern reader
- Chytach i︠a︡k uchasnyk literaturnoho pro︠t︡sesu
- Citizen critics : literary public spheres
- Clarissa's ciphers : meaning & disruption in Richardson's "Clarissa"
- Classic cult fiction : a companion to popular cult literature
- Concepts of chivalry in Sir Gawain and the Green Knight
- Confession and complicity in narrative
- Confessions of the critics
- Conflicting readings : variety and validity in interpretation
- Contingent meanings : postmodern fiction, mimesis, and the reader
- D.H. Lawrence's language of sacred experience : the transfiguration of the reader
- Dear reader : the conscripted audience in nineteenth-century British fiction
- Decoding the ancient novel : the reader and the role of description in Heliodorus and Achilles Tatius
- Decoding the ancient novel : the reader and the role of description in Heliodorus and Achilles Tatius
- Der implizite Leser : kommunikations formen des Romans von Bunyan bis Beckett
- Dialogue and literature : apostrophe, auditors, and the collapse of romantic discourse
- Dialogue, Dialectic and Conversation : a Social Perspective on the Function of Writing
- Dialogue, dialectic, and conversation : a social perspective on the function of writing
- Dialogues with the past : classical reception theory & practice
- Dickens and the myth of the reader
- Dickinson and audience
- Die Beeinflussung des Lesers : Untersuchungen zum pragmatischen Wirkungspotential viktorianischer Romane zwischen 1844 und 1872
- Die Lyrik Georg Trakls : Beiträge zur poetischen Verfahrensweise und zur Wirkungsgeschichte
- Dreaming by the book
- El metateatro y la dramática de Vargas Llosa : hacia una poética del espectador
- El papel del lector en la novela mexicana contemporánea : José Emilio Pacheco y Salvador Elizondo
- Emerson's rhetoric of revelation : Nature, the reader, and the apocalypse within
- Enacting history in Henry James : narrative, power, and ethics
- Encountering choran community : literary modernism, visual culture, and political aesthetics in the interwar years
- Estética de la recepción
- Everybody's autonomy : connective reading and collective identity
- Experiencing fiction : judgments, progressions, and the rhetorical theory of narrative
- Exploring literature : writing and thinking about fiction, poetry, drama, and the essay
- Faulkner's Absalom, Absalom! and interpretability : the inexplicable unseen
- Feminism and the politics of reading
- Feminism beyond modernism
- Figures of the text : reading and writing (in) La Fontaine
- Formalist criticism and reader-response theory
- Framed narratives : Diderot's genealogy of the beholder
- François Villon and his reader
- Gender and reading : essays on readers, texts, and contexts
- Geoffrey Hartman : criticism as answerable style
- Getting at the author : reimagining books and reading in the age of American realism
- Gleaning modernity : earlier eighteenth-century literature and the modernizing process
- Graphing Jane Austen : the evolutionary basis of literary meaning
- Hardy and his readers
- Hawthorne's narrative strategies
- Henry James's portrait of the writer as hero
- Hermeneutics of poetic sense : critical studies of literature, cinema, and cultural history
- How to read literature
- How to read literature
- Ibsens Drama : Author to Audience
- Idylls of the marketplace : Oscar Wilde and the Victorian public
- In the African-American grain : the pursuit of voice in twentieth-century Black fiction
- In the circumstances : about poems and poets
- Interpreting films : studies in the historical reception of American cinema
- Interpretive conventions : the reader in the study of American fiction
- Intimate violence : reading rape and torture in twentieth-century fiction
- Introducción y metodología de la instancia del autor/lector y del autor/lector abstracto, implícito
- Introduction to cognitive cultural studies
- Invisible listeners : lyric intimacy in Herbert, Whitman, and Ashbery
- Invisible listeners : lyric intimacy in Herbert, Whitman, and Ashbery
- Joyce's iritis and the irritated text : the dis-lexic Ulysses
- Keats, narrative, and audience : the posthumous life of writing
- La lectura es secreto
- Le lecteur intime : de Balzac au journal
- Le texte et son lecteur : études sur Benjamin Constant, Villiers de l'Isle-Adam, Ramuz, Cendrars, Bernanos, Gracq
- Lectures, systèmes de lecture
- Les limites de l'interprétation
- Literary criticism and the Gospels : the theoretical challenge
- Literary history in the wake of Roland Barthes : re-defining the myths of reading
- Literary intention, literary interpretation, and readers
- Literatur und Leser : Theorien u. Modelle z. Rezeption literarischer Werke
- Literature and the marketplace : romantic writers and their audiences in Great Britain and the United States
- Making meaning in the response-based classroom
- Making sense of Shakespeare
- Maps and legends : reading and writing along the borderlands
- Meaning by Shakespeare
- Medieval interpretation : models of reading in literary narrative, 1100-1500
- Medieval readers and writers, 1350-1400
- Milton and the spiritual reader : reading and religion in seventeenth-century England
- Modernist literature : challenging fictions
- Molière, a playwright and his audience
- Narrative as performance : the Baudelairean experiment
- Nathalie Sarraute and the feminist reader : identities in process
- New formalist criticism : theory and practice
- On sympathy
- Our preposterous use of literature : Emerson and the nature of reading
- Paradise Lost and the romantic reader
- Passionate doubts : designs of interpretation in contemporary American fiction
- Pedagogy, praxis, Ulysses : using Joyce's text to transform the classroom
- Performative criticism : experiments in reader response
- Poet and audience in the Argonautica of Apollonius
- Poetic culture : contemporary American poetry between community and institution
- Postmodern counternarratives : irony and audience in the novels of Paul Auster, Don DeLillo, Charles Johnson, and Tim O'Brien
- Private readings/public texts : playreaders' constructs of theatre audiences
- Proust and Emotion : the Importance of Affect in ""A la recherche du temps perdu""
- Proust and emotion : the importance of affect in A la recherche du temps perdu
- Re-reading poets : the life of the author
- Re-reading poets : the life of the author
- Reader and spectator : problems in the interpretation of Greek tragedy
- Readers and authorship in early modern England
- Readers and labyrinths : detective fiction in Borges, Bustos Domecq, and Eco
- Readers and mythic signs : the Oedipus myth in twentieth-century fiction
- Readers in history : nineteenth-century American literature and the contexts of response
- Reading Piers Plowman and The pilgrim's progress : reception and the Protestant reader
- Reading Shakespeare's characters : rhetoric, ethics, and identity
- Reading and listening : the modes of communicating poetry and their influence on the texts
- Reading between the lines
- Reading blindly : literature, otherness, and the possibility of an ethical reading
- Reading modernist poetry
- Reading relations : structures of literary production : a dialectical text/book
- Reading resistance value : deconstructive practice and the politics of literary critical encounters
- Reading response logs : inviting students to explore novels, short stories, plays, poetry, and more
- Reading romance : literacy, psychology, and Malory's Le Morte D'Aarthur
- Reading sites : social difference and reader response
- Reading undercover : audience and authority in Jean de La Fontaine
- Reading voices : literature and the phonotext
- Reading voices : literature and the phonotext
- Reading with feeling : the aesthetics of appreciation
- Reading women's magazines : an analysis of everyday media use
- Readings and feelings : an introduction to subjective criticism
- Reception studies
- Reception study : from literary theory to cultural studies
- Redeeming the text : Latin poetry and the hermeneutics of reception
- Reflective reading and the power of narrative : producing the reader
- Regulating readers : gender and literary criticism in the eighteenth-century novel
- Representation and design : tracing a hermeneutics of Old English poetry
- Rereading texts, rethinking critical presuppositions : essays in honour of H.M. Daleski
- Robert Browning : his poetry and his audiences
- Romantic Shakespeare : from stage to page
- Romantic poets and the culture of posterity
- Saint-John Perse and the imaginary reader
- Second thoughts : a focus on rereading
- Secret journeys : theory and practice in reading Dickens
- Sensibility, reading and Illustration : spectacles and signs in Graffigny, Marivaux and Rousseau
- Shakespeare : seven tragedies revisited : the dramatist's manipulation of response
- Shakespearean sensations : experiencing literature in early modern England
- Shelley and his audiences
- Siren songs : gender, audiences, and narrators in the Odyssey
- Speaking volumes : women, reading, and speech in the age of Austen
- Stand in the trench, Achilles : classical receptions in British poetry of the Great War
- Stendhal's violin : a novelist and his reader
- Stories of reading : subjectivity and literary understanding
- Style and consciousness in Middle English narrative
- Style and consciousness in Middle English narrative
- Surprised by sin: the reader in Paradise lost
- Taking it personally : autobiographical biblical criticism
- Terms of response : language and audience in seventeenth- and eighteenth-century theory
- Text to reader : a communicative approach to Fowles, Barth, Cortázar and Boon
- Textual determinacy
- Textuality and sexuality : reading theories and practices
- The Continuing presence of Walt Whitman : the life after the life
- The Intimate critique : autobiographical literary criticism
- The J. Hillis Miller reader
- The Modern English novel : the reader, the writer, and the work
- The Poetics of reading
- The Romance of the rose and its medieval readers : interpretation, reception, manuscript transmission
- The Uses of adversity : failure and accommodation in reader response
- The act of reading : a theory of aesthetic response
- The concept of literary application : readers' analogies from text to life
- The crafty reader
- The crafty reader
- The critical romance : the critic as reader, writer, hero
- The dramatic monologue aesthetic and the reader experience
- The empathic reader : a study of the narcissistic character and the drama of the self
- The epistemic music of rhetoric : toward the temporal dimension of affect in reader response and writing
- The ethics of reading : Kant, de Man, Eliot, Trollope, James, and Benjamin
- The experience of reading
- The experientiality of narrative : an enactivist approach
- The full-knowing reader : allusion and the power of the reader in the Western literary tradition
- The graphic unconscious in early modern French writing
- The hidden reader : Stendhal, Balzac, Hugo, Baudelaire, Flaubert
- The implied reader ; : patterns of communication in prose fiction from Bunyan to Beckett
- The impossible observer : reason and the reader in 18th century prose
- The impossible observer : reason and the reader in 18th century prose
- The incredulous reader : literature and the function of disbelief
- The limits of interpretation
- The lyric speakers of Old English poetry
- The novel and the reader
- The opacity of signs : acts of interpretation in George Herbert's The temple
- The poet and his audience
- The politics of writing Islam : voicing difference
- The postwar novel in Canada : narrative patterns and reader response
- The practice of reading
- The prefaces of Henry James : framing the modern reader
- The progress of romance : literary historiography and the Gothic novel
- The protean Virgil : material form and the reception of the classics
- The reader and the detective story
- The reader and the text : interpretative strategies for Latin American literatures
- The reader in the Dickensian mirrors : some new language
- The reader in the text : essays on audience and interpretation
- The reader's eye : visual imaging as reader response
- The reader, the text, the poem : the transactional theory of the literary work
- The return of the reader : reader-response criticism
- The role of the reader in Rousseau's Confessions
- The sign of the cannibal : Melville and the making of a postcolonial reader
- The space that remains : reading Latin poetry in late antiquity
- The status of the reading subject in the Libro de buen amor
- The still performance : writing, self, and interconnection in five postmodern American poets
- The supplement of reading : figures of understanding in romantic theory and practice
- The theoretical dimensions of Henry James
- The trouble with genius : reading Pound, Joyce, Stein, and Zukofsky
- Theatre audiences : a theory of production and reception
- Theodor Fontanes "Effi Briest" aus erzähltheoretischer Sicht : unter besonderer Berücksichtigung der Interdependenzen zwischen Autor, Erzählwerk und Leser
- This book of starres : learning to read George Herbert
- Thomas De Quincey : knowledge and power
- Through the lens of the reader : explorations of European narrative
- To make the hands impure : art, ethical adventure, the difficult and the holy
- To receive a text : literary reception theory as a key to ecumenical reception
- Toward an aesthetic of reception
- Transgressions of reading : narrative engagement as exile and return
- Two fish on one hook : a transformative reading of Thoreau's Walden
- Utopian audiences : how readers locate nowhere
- Virgil and the myth of Venice : books and readers in the Italian Renaissance
- Walt Whitman and the American reader
- What Thoreau said : Walden and the unsayable
- When fiction feels real : representation and the reading mind
- When response is news : individual reactions to news websites that solicit reader opinion as moderated by need for closure
- Who says this? : the authority of the author, the discourse, and the reader
- Why do we care about literary characters?
- Why reading literature in school still matters : imagination, interpretation, insight
- William Blake : a reading of the shorter poems
- Wingless chickens, bayou Catholics, and pilgrim wayfarers : constructions of audience and tone in O'Connor, Gautreaux, and Percy
- Wolfgang Iser : a companion
- Wordsworth's "slumber" and the problematics of reading
- Writing against God : language as message in the literature of Flannery O'Connor
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