The fracture of meaning : Japan's synthesis of China from the eighth through the eighteenth centuries, David Pollack

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Contents: Script and scripture: the Kojiki and the problem of writing -- The informing image: "China" in The tale of Genji -- "A bridge across the mountains": Chinese and the aesthetics of the Shinkokinshū -- "Chineseness" and "Japaneseness" in early medieval Zen: Kokan Shiren and Musō Soseki -- Wakan and the development of Renga theory in the late fourteenth century: Gidō Shūshin and Nijō Yoshimoto -- Wakan in literary theory in the fourteenth and fifteenth centuries: Zeami, Shōtetsu, Shinkei, and Sōgi -- The intellectual contexts of Tokugawa aesthetics: Itō Jinsai, Ogyū Sorai, and Genroku culture

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